Movies Similar to Die Bewältigung: Oradour

How Good to See You Alive(1989)

Four years after a military coup overthrew the Brazilian government in 1964, all civil rights were suspended and torture became a systematic practice. Using a mix of fiction and documentary this extraordinary film is a searing record of personal memory, political repression and the will to survive. Interviews with eight women who were political prisoners during the military dictatorship are framed by the fantasies and imaginings of an anonymous character, portrayed by actress Irene Ravache.

Dig!(2004)

A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.

In the Realms of the Unreal(2004)

In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.

Farewell, Herr Schwarz(2014)

A documentary about the outcome of a decision made by a brother and sister in 1945. One missed meeting, two families, and three generations.

Blindsight(2006)

Six blind Tibetan teenagers climb the Lhakpa-Ri peak of Mount Everest, led by seven-summit blind mountain-climber Erik Weihenmayer.

Weiss ist die Farbe der Verlierer(1974)

Short film against the oppression of women. At first, differences in education are presented and then how the relationship between women and men looks like in the professional world.

The Yes Men(2003)

A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.

Coal(2025)

CHARBON depicts how Europe was built on fossil fuels over the past 100 years. And how it was torn apart by wars that were the result of these same fossil fuels. During 3 trips to Ukraine, Italy and Iraq, filmmaker Manu Riche explains how he and his French-German family are inseparably connected to the fate of the Iraqi filmmaker and refugee Hayder Helo.

Jazz in Love(2013)

Jazz in Love tells the story of Jazz, a young man from Davao whose dream wedding is within reach: his boyfriend of 11 months has proposed. Because no law allows him to get married in the Philippines, he must fly to Germany, his boyfriend's home country, and tie the knot there. One of the things that stand in his way is his inability to speak Deutsch, and to address that he must temporarily relocate to Manila for language lessons. Meanwhile, his parents remain completely unaware of the radical changes that his life is about to undergo.

Jesus Camp(2006)

Jesus Camp is a Christian summer camp where children hone their "prophetic gifts" and are schooled in how to "take back America for Christ". The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.

Flowers from the Mount of Olives(2013)

Right alongside Jerusalem, in a Russian Orthodox Convent in the Mount of Olives, in the middle of the Arab quarter, lives the 82-year-old Estonian nun Mother Ksenya.

People, Years, Life(1990)

Using images shot in Russia and Armenia from World War I to the 1930s and retrieved from a Soviet film archive, Gianikian and Ricci Lucchi constructed a meditative film about the status of Armenians as a people without a state. Inspired by the diary of Gianikian’s father, People, Years, Life uses rare footage depicting the region’s major historic events: the end of Tsarist Russia, violence in the Caucasus during World War I, the 1918 Armenian exodus from Azerbaijan. Gianikian and Ricci Lucchi’s treatment of the material manipulates the speed of the images, adds color and music, and magnifies various parts of the image, so that the movement of bodies across the frame begins to carry the weight of exile, mourning, dispossession.

Balkan Inventory(2000)

Comprised of images shot by amateur photographers and German soldiers in the Balkans from the twenties through the forties, BALKAN INVENTORY was begun by Gianikian and Ricci Lucchi in response to the tragedy unfolding in the former Yugoslavia.

Ghiro ghiro tondo(2007)

Inspired by their beloved Dolomite area in Northeast Italy, a battle theater in World Wars I and II, Gianikian and Ricci Lucchi continue to explore issues of war and peace in their most recent production. The film uses shots of ordinary toys found in the area, many missing limbs and other pieces, to represent, in both direct and oblique ways, the historical period between Fascism, Nazism, and the postwar era.

Criminal Animals(1994)

In this filmic comment on Fascist ideology - which uses footage from the recently discovered archives of Luca Comerio - invisible hands push captive animals to fight among themselves.

Born Into Brothels: Calcutta's Red Light Kids(2004)

Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.

Full Metal Village(2007)

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

Une vie avec Oradour(2011)

Secrets of the Nazi Criminals(1963)

Documents the major trial of the Nazi war criminals and the violent acts that they were accused of.

Alone(2017)

This investigation into the layers of mass incarceration and its shaping of the modern black American family is seen through the eyes of a single mother in New Orleans, Louisiana.