Movies Similar to Sportsfreund Lötzsch

Lenin kam nur bis Lüdenscheid - Meine kleine deutsche Revolution(2008)

The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.

The Red Elvis(2007)

A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.

The Ministry for State Security - Everyday life at a public authority(2002)

Former heads, senior officers and the rector of the MfS law school explain how the ministry functioned. The interviewees see themselves as legitimate actors with a clear mandate and political enemy image. They provide an insight into the techniques and routines of secret service work, psychological tricks during interrogations and the management of “unofficial collaborators”. What they all have in common is that they are not aware of any moral guilt. The directors contrast their footage of prisons and archives with the statements of former Stasi employees in an attempt to expose their evasions and efforts at suppression.

I Am My Own Woman(1992)

The life story of Charlotte von Mahlsdorf, who survived the Nazi reign as a trans woman and helped start the German gay liberation movement. Documentary with some dramatized scenes. Two actors play the young and middle aged Charlotte and she plays herself in the later years.

Velorama(2014)

Documentary looking at a century of cycling. Commissioned to mark the arrival of the 2014 Tour de France in Yorkshire, the film makes full use of stunning British Film Institute footage to transport the audience on a journey from the invention of the modern bike, through the rise of recreational cycling, to gruelling competitive races. Award-winning director Daisy Asquith artfully combines the richly-diverse archive with a hypnotic soundtrack from cult composer Bill Nelson in a joyful, absorbing watch for both cycling and archive fans.

This Ain't California(2012)

A retrospective look at the youth cultures born in the German Democratic Republic. A celebration of the lust for life, a contemporary trip into the world of skate, a tale on three heroes and their boards, from their childhood in the seventies, through their teenage rebellion in the eighties and the summer of 1989, when their life changed forever, to 2011.

Motion Picture (Employees Leaving the Lumière Factory)(1984)

In the darkroom, 50 unexposed film strips were laid across a surface, upon which a frame of "La sortie des ouvrier de l'usine Lumière" was projected. The stringing together of the individual developed sections make up the new film, which reads the original frame like a page from a musical score: within the strips from top to bottom and sequentially from left to right.

The Armstrong Lie(2013)

In 2009, Alex Gibney was hired to make a film about Lance Armstrong’s comeback to cycling. The project was shelved when the doping scandal erupted, and re-opened after Armstrong’s confession. The Armstrong Lie picks up in 2013 and presents a riveting, insider's view of the unraveling of one of the most extraordinary stories in the history of sports. As Lance Armstrong says himself, “I didn’t live a lot of lies, but I lived one big one.”

After Winter Comes Spring(1989)

A locomotive journey traversing the North to the South of the German Democratic Republic on the eve of its dissolution. Labourers, punks, mothers, intellectuals, young and old are implored to reflect on their life choices, the sacrifices they've made, and their place in the world. Despite everything, hope persists.

Großes Kino made in DDR(2016)

In 2016, DEFA celebrates its 70th anniversary: the film embarks on a journey into the exciting film history of the GDR. In a comprehensive kaleidoscope, the importance of DEFA productions is illuminated, the relevance of the films as propaganda productions for the GDR, which socio-political themes were in the foreground, but also which heroes DEFA brought to the screen and celebrated as people from the people.

One Got Fat(1963)

This bicycle-safety film shows children what can happen when bicycles are driven carelessly and recklessly.

Pit Dhuwur(2024)

In the heart of Yogyakarta, a tall bike enthusiast takes a stand against the city's lacklustre cycling infrastructure in the city with the "Bicycle Friendly City" label.

Klunkerz(2006)

Long before the mountain bike entered our global consciousness, the cycling enthusiasts of Northern California's Marin County rode modified pre-WWII bicycles down the slopes of Mount Tamalpais. They developed their bikes through rigorous field-testing, often risking life and limb to do so. Some of these cyclists were Category-1 road racers looking for a new way to train during the off-season. Others were simply fun-loving hippies looking for a new way to commune with nature. Their early bikes were scavenged from dumpsters and junkyards. It was from these humble beginnings that a multi-billion dollar industry, a form of recreation for the masses, and an Olympic event, were born. These hefty steeds were affectionately known as Klunkerz.

Der Sturz - Honeckers Ende(2012)

Erich Honecker ruled the GDR for 18 years. His fall in 1989 heralded the downfall of the state that had called itself "the better Germany" for 40 years. Nazi victim and autocrat, bourgeois and power-conscious: Honecker was an ideological hardliner who coordinated the construction of the Wall in 1961 and whose regime was known as an unjust state for Wall deaths, firing orders, the Stasi and forced adoptions. In the wake of the fall of communism, the former model socialist fell into homelessness and found himself on the run in his own country. Suffering from cancer, he managed to evade responsibility before a court by emigrating to Chile, where he died in 1994. This gripping documentary portrays the rise and fall of this contradictory German politician with an impressive array of top-class international and national contemporary witnesses. Erich Honecker would have been 100 years old on August 25, 2012.

Bikes for Africa(2013)

Bikes for Africa is an entertaining, insightful and moving documentary following the life adventures of Hap Cameron and Mandy Todd, and their attempt to help implement a self sustainable bike workshop in rural Namibia with a container load secondhand donated bikes from Melbourne. The film investigates how a bicycle can fundamentally change the lives of rural Africans, and brings to focus the great works of two-wheeled charities Bicycles for Humanity and the Bicycling Empowerment Network Namibia.

Schabowskis Zettel - Die Nacht, als die Mauer fiel(2009)

Old Growth Murder(2022)

A feature-length documentary exploring the unsolved murder of French bicyclist Alain Malessard who was found dead in an Oregon Coast campground on Thanksgiving 1987.

Ich will da sein - Jenny Gröllmann(2008)

The film accompanies Jenny Gröllmann, a German actress, during the last two years of her life.

Codename Pirate(2014)

Was my father really a spy, as his file in the former East German Secret Service (STASI) suggests? This question marks the starting point of a son’s journey into his late father’s past which still remains somewhat mysterious even today. Eric Asch is looking for answers – in the Stasi archives, at the NSA and in his own family history. The result is a very personal documentary which reports ironically about the practices of secret service during the Cold War.

From Us to Me(2016)

In October 1987, the documentary film collective Amber Films from Newcastle became the first British film crew ever allowed to shoot in East Germany. They filmed the workers of the state-owned fishing concern in Warnemünde and a brigade of crane operators at the state Warnow dockyards. Just two years later, East Germany was history, including most of the jobs it once provided. Twenty-five years later, in 2014, the filmmakers returned to an utterly different Rostock. They visited the people they had filmed in 1987. Together, documentarians and subjects look at excerpts from the earlier film, and talk about the enormous changes the men and women experienced, how they dealt with them, and how they feel today.