Movies Similar to Il suffira d’un gilet

Graines de ronds-points(2019)

L'ordre à tout prix(2021)

When France rumbles, the strategy and control of public order become a crucial political issue. Between protecting institutions and guaranteeing the right to demonstrate: the right balance is subtle. At the beginning of the Yellow Vests movement, at the end of 2018, the principles of "French-style" policing were shattered. The ransacking of the Arc Triomphe, the hundreds of injuries among the demonstrators and the forces of order mark the minds. How did it come to this? In order to understand, the film questions the so-called "legitimate" force and confronts them with the images of these confrontations.

Les Magnifiques sauvages(2023)

A Place in the Sun(2019)

Made on a shoestring budget, François Ruffin and Gilles Perret’s investigative documentary has the adventurous spirit of a road movie. Intimate and sometimes humorous, encounters with yellow vest protestors pierce through reports of violence and destruction, revealing a collective desire for equity.

Désobéissant.e.s!(2020)

Facing the climate change urgency, a large part of the youth chose civil desobedience and action. The fascinating account, in immersion, of an unprecedented rallying.

Imagine, demain on gagne

A French Revolution(2022)

October 2018, France. Macron’s government decrees a tax increase on the price of fuel. A wave of protests starts to grow. Citizens mobilize throughout the country: this is the beginning of the Yellow Vests movement. In Chartres, a group of men and women gather daily. Among them, Agnès, Benoît, Nathalie and Allan commit themselves to the collective struggle. Like a whole nation, they discover that they have a voice to be heard...

Nous ne sommes rien, soyons tout !(2020)

Dieudonné - Gilets Jaunes(2020)

Baratometrajes 2.0: Spaniard-low-budget-films with High Ambitions(2014)

Baratometrajes 2.0 is a feature length documentary on low-budget films made ​​in Spain and dives deep and directly in the guts of most independent films, their characteristics and their reasons for being. More than forty interviews with directors, producers, journalists, cultural managers and distributors are shaping a broad mosaic of opinions and adventures of different creators to get their films and turn them into a reality, allowing the cameras to talk through their methodology work and the secrets that lie behind the making of these productions. Movies like "El mundo es nuestro," "Mi Loco Erasmus" or "The Cosmonaut" are part of the object of study of this essential documentary that brings us to the reality of New Spanish Cinema Lowcost.

Dream of San Juan(2013)

The last representatives of Mixteco culture inhabit a village in the Sierra Madre. Deprived of their identity by modern civilization, they are facing an even bigger threat: a landslide that may destroy the village during the next torrential rains. The mayor tries to prevent the disaster. He wants to invite a geologist, so that the approaching danger can be officially confirmed. But no help is coming and the inhabitants must simply wait for the disaster.

Summits of My Life(2014)

From Mont Blanc to Mount Elbrus, experience the peaks from the breathtaking perspective of skyrunner Kilian Jornet and his friends.

The History of the Movie Trailer(2014)

Some people consider them the best part of the movie going experience - the Movie Trailer. Take a look at the evolution of the "coming attractions" from simple silent film splices, through the template style of the Golden Age of Hollywood, through Auteurs and finally into the Blockbuster era.

Prisoners of War(1995)

This haunting film comprises of footage shot during WWI from opposite sides of the conflict: Czarist Russia and the Austro-Hungarian empire. The filmmakers tinted the material with sensual colors from sepia to red, blue, and purple and slowed the footage to analyze the material. The total absence of commentary renders the material eloquent and disturbing. - MoMA

Lo specchio di Diana(1996)

In 1926 the remains of two ships built by the Emperor Caligula were found at the bottom of Lake Nemi, near Rome. Mussolini had the lake drained and established a museum as a celebration of the imperial origins of Fascism, but the museum and ships were destroyed by fleeing Nazis in 1944. The film commemorates these events. - MoMA

Crowds(2016)

Crowds is a feature documentary that records popular events of Uruguay where thousands of people gather spontaneously, called by faith, passion, celebration and memory. What happens when we set aside our individuality to act collectively? This documentary observes the passions that draw thousands of people close in order to join in a choral character. It discovers the crowd while it transgresses and experiences catharsis, while it seeks miracles and hopes; in continuous movement it splits and rejoins... until they dissipate and individuals re-emerge in their own solitude.

Arabian Coffee(1968)

'Coffea arábiga' was sponsored as a propaganda documentary to show how to sow coffee around Havana. In fact, Guillén Landrián made a film critical of Castro, exhibited but banned as soon as the coffee plan collapsed.

Between the Holy and the Profane(2014)

Documentary film that takes a visual and anthropological journey through man's spirit across the thin line dividing excessive faith in religious believes and the passion with which he devotes himself to worldly pleasures in a city that coexists in harmony with its double standards. Religion, faith, politics, violence and death are intimately bound in this social portrait.

And... We've Got Sabor(1967)

Legendary rumba musician Alberto Zayas serves as a guide for this vibrant journey through Cuban musical history and culture. The short features interviews, footage of impromptu street performances, and studio recordings.

I'm Going to Santiago(1964)

This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.